I make theatre for the moment when thinking stops and something truer takes over. In the rehearsal room, I look for actors who are intuitive and present — people who trust the flow more than the plan. Together, we chase a collective relaxation that dissolves self-consciousness and opens up genuine creativity. No performing. Just being.

I believe theatre is one of the last places where we practice attention and empathy in their purest form. You sit in the dark for two hours, you watch another human being, and you stay quiet. There's something quietly radical about that. I want audiences to leave carrying something — a feeling, a question, a fullness they didn't have before.